High Fidelity http://www.highfidelity.pl/ High Fidelity jest miesięcznikiem poświęconym zagadnieniom wysokiej jakości dźwięku. High Fidelity jest magazynem internetowym, tj. ukazuje się wyłącznie w sieci. Naszym celem jest próba dotarcia do tego co najważniejsze – do MUZYKI w pełnym wymiarze. Wed, 02 May 2012 00:00:00 +0200 en monthly 2 http://wordpress.org/?v=3.2.1 <![CDATA[INTERVIEW: Ken Kessler, Senior Contributing Editor „Hi-Fi News & Record Review” – magazine from Great Britain]]> http://highfidelity.pl/@main-279&lang=en Wed, 02 May 2012 00:00:00 +0200 HighFidelity ]]> <![CDATA[REVIEW: Entreq KONSTANTIN 2010 - headphone cable from Norway]]> http://highfidelity.pl/@main-280&lang=en Wed, 02 May 2012 00:00:00 +0200 HighFidelity ]]> <![CDATA[REVIEW: Franco Serblin ACCORDO - standmount speakers + stands from Italy]]> http://highfidelity.pl/@main-281&lang=en Wed, 02 May 2012 00:00:00 +0200 HighFidelity ]]> <![CDATA[REVIEW: Funk Tonstudiotechnik LAP-2.V3 - linear preamplifier/headphone amplifier from Germany]]> http://highfidelity.pl/@main-282&lang=en Wed, 02 May 2012 00:00:00 +0200 HighFidelity ]]> 115 dB 10kHz: > 104 dB Noise MONITOR-OUT unweighted: -109,0 dBu 20Hz - 20 kHz eff. (gain=0,0 dB) (-112,5 dBu “A”-weighted) Dynamic MONITOR OUT: 137,5 dB A-weighted eff. (Gain = 0,0 dB), 134 dB CCIR 468 unweighted Dimensions (SWG): 210 x 42 x 172 mm]]> 115 dB 10kHz: > 104 dB Noise MONITOR-OUT unweighted: -109,0 dBu 20Hz - 20 kHz eff. (gain=0,0 dB) (-112,5 dBu “A”-weighted) Dynamic MONITOR OUT: 137,5 dB A-weighted eff. (Gain = 0,0 dB), 134 dB CCIR 468 unweighted Dimensions (SWG): 210 x 42 x 172 mm]]> <![CDATA[REVIEW: M2TECH hiFace EVO + EVO Supply + EVO Clock - D/D converter + PSU + Precision master clock from Italy]]> http://highfidelity.pl/@main-283&lang=en Wed, 02 May 2012 00:00:00 +0200 HighFidelity ]]> <![CDATA[COVER STORY - REVIEW: Struss Amplifiers R150 - integrated amplifier from Poland]]> http://highfidelity.pl/@main-284&lang=en Wed, 02 May 2012 00:00:00 +0200 HighFidelity ]]> <![CDATA[REVIEW: TransFi Salvation + Tomahawk - turntable with linear-tracking air bearing tonearm from Great Britain]]> http://highfidelity.pl/@main-285&lang=en Wed, 02 May 2012 00:00:00 +0200 HighFidelity ]]> <![CDATA[INTERVIEW: Martin Colloms, Publisher HIFICRITIC magazine from Great Britain]]> http://highfidelity.pl/@main-271&lang=en Tue, 03 Apr 2012 00:00:00 +0200 HighFidelity ]]> <![CDATA[REVIEW: Acoustic Revive LAN-1.0PA – LAN cable from Japan]]> http://highfidelity.pl/@main-272&lang=en Tue, 03 Apr 2012 00:00:00 +0200 HighFidelity ]]> <![CDATA[REVIEW: Audio Academy HYPERION IV – loudspeakers from Poland]]> http://highfidelity.pl/@main-273&lang=en Tue, 03 Apr 2012 00:00:00 +0200 HighFidelity ]]> <![CDATA[COVERAGE: Krakow Sonic Society, meeting #83: Holger Fromme and his Avantgarde Acoustic XA Series]]> http://highfidelity.pl/@main-274&lang=en Tue, 03 Apr 2012 00:00:00 +0200 HighFidelity ]]> <![CDATA[REVIEW: Lampizator TRANSPORT + DAC LEVEL 4. – audio files player + digital-to-analogue converter from Poland]]> http://highfidelity.pl/@main-275&lang=en Tue, 03 Apr 2012 00:00:00 +0200 HighFidelity ]]> <![CDATA[REVIEW: Dubiel Accoustic NIRVANA – CD player from Poland]]> http://highfidelity.pl/@main-276&lang=en Tue, 03 Apr 2012 00:00:00 +0200 HighFidelity ]]> <![CDATA[REVIEW: Transrotor ZET3 (two motors) – turntable from Germany]]> http://highfidelity.pl/@main-277&lang=en Tue, 03 Apr 2012 00:00:00 +0200 HighFidelity ]]> <![CDATA[INTERVIEW: MICHAEL FREMER, SENIOR CONTRIBUTING EDITOR AT „STEREOPHILE”]]> http://highfidelity.pl/@main-250&lang=en Sat, 03 Mar 2012 00:00:00 +0100 HighFidelity ]]> <![CDATA[REVIEW: Mach Audio - Integrated amplifier]]> http://highfidelity.pl/@main-251&lang=en Sat, 03 Mar 2012 00:00:00 +0100 HighFidelity ]]> <![CDATA[REVIEW: Acoustic Signature STORM - Turntable]]> http://highfidelity.pl/@main-252&lang=en Sat, 03 Mar 2012 00:00:00 +0100 HighFidelity ]]> <![CDATA[REVIEW: GRAJPUDŁA No. Three - Floorstanding Loudspeakers]]> http://highfidelity.pl/@main-253&lang=en Sat, 03 Mar 2012 00:00:00 +0100 HighFidelity ]]> <![CDATA[REVIEW: Hegel H70 - Integrated amplifier]]> http://highfidelity.pl/@main-254&lang=en Sat, 03 Mar 2012 00:00:00 +0100 HighFidelity ]]> 100dB Crosstalk: < -100dB Distortion (THD): < 0.005 % /50W/8Ω Intermodulation: < 0.01 % (19kHz + 20kHz) Damping factor: > 1000 Output stage: four 15A 150W high speed bipolar transistors Power consumption: 30W idle, switched on Dimensions/weight: 80 x 430 x 415mm (HxWxD), Weight: 12kg Distribution in Poland: Hegel Polska Contact: biuro@hegelpolska.pl URL: www.hegelpolska.pl]]> 100dB Crosstalk: < -100dB Distortion (THD): < 0.005 % /50W/8Ω Intermodulation: < 0.01 % (19kHz + 20kHz) Damping factor: > 1000 Output stage: four 15A 150W high speed bipolar transistors Power consumption: 30W idle, switched on Dimensions/weight: 80 x 430 x 415mm (HxWxD), Weight: 12kg Distribution in Poland: Hegel Polska Contact: biuro@hegelpolska.pl URL: www.hegelpolska.pl]]> <![CDATA[REVIEW: HiFiMAN HE-500 | HE-6 - Headphones]]> http://highfidelity.pl/@main-255&lang=en Sat, 03 Mar 2012 00:00:00 +0100 HighFidelity ]]>